Mountain Words Festival 2026

From 2000 to 2010, River Selby was a wildland firefighter whose given name was Anastasia. This is a memoir of that time in their life—of Ana, the struggles she encountered, and the constraints of what it means to be female-bodied in a male-dominated industry. An illuminating debut from a fierce new voice, Hotshot is a timely reckoning with both the personal and environmental dangers of wildland firefighting.
By the time they were nineteen, Selby had been homeless, addicted to drugs, and sexually assaulted more than once. In a last-ditch effort to find direction, they applied to be a wildland firefighter. Two years later, they joined an elite class of specially trained wildland firefighters known as hotshots. Over the course of five fire seasons, Selby delves into the world of the people—almost entirely men—who risk their lives to fight and sometimes prevent wildfires. Simultaneously hyper visible and invisible, Selby navigated an odd mix of camaraderie and rampant sexism on the job and, when they challenged it, a violent closing of ranks that excluded them from the work they’d come to love.
Drawing on years of firsthand experience on the frontlines of fire and years of research, Selby examines how the collision of fire suppression policy, colonization, and climate change has led to fire seasons of unprecedented duration and severity. A work of rare intimacy, Hotshot provides new insight into fire, the people who fight it, and the diversity of ecosystems dependent on this elemental force.

One part Educated, one part rebuttal to Hillbilly Elegy, On Fire for God explores the ways evangelical Christianity has preyed upon its followers while galvanizing them into the political force known today as the Christian right.
“Of all the books I’ve read about young people devastated by the fundamentalist religion they’ve grown up with, this one stands out.”­— Frances FitzGerald, Pulitzer Prize-winning author of The Evangelicals

Exvangelical journalist Josiah Hesse grew up in the stifling working-class town of Mason City, Iowa, raised in the institutions of fundamentalist Christianity: a toxic mixture of schools, ministries, and religious camps that taught creationism, instilled sexual shame, and foretold horrific tales of the rapture. In the churches where he worshipped, pastors siphoned their flocks’ wealth while preaching a doctrine of prosperity. Meanwhile, as economic struggles grew in the community, Hesse’s fellow believers lambasted organized labor and shunned the social safety net, becoming an army for God against the evils of progressivism. Only upon escaping Iowa in search of something more would he consider the possibility that the world wasn’t about to end and that he was woefully unprepared for a future he’d never believed would arrive.

Written in vivid prose, On Fire for God is both an unflinching memoir of religious trauma and survival and a stirring examination of the emotional, political, and sociological effects of the Christian right. Returning to his hometown in search of answers about his upbringing and the political forces at work in the region, Hesse calls into question prevailing theories about the disappearing working class that point to opioids, automation, or globalism as the culprits. His story of awakening and escape exposes how conservative Christian con men have, over generations, trapped working-class believers in an isolated bubble of racism, xenophobia, and self-imposed martyrdom, while stripping communities like his of their wealth and self-esteem. In On Fire for God, Hesse plumbs the depths of his own experience to illuminate, with deep feeling and piercing immediacy, what he describes as the socioeconomic tragedy of the American working class

What Kind of Essay Are You?

The essay is a dynamic and flexible structure, capable of doing anything the writer wishes...but figuring out what one wants the essay to do can be quite difficult! In this workshop, we'll look at a few innovative essay moments and discuss how to approach the essay as an extension of the self, extending a question into the world and diving into the mystery. This is not a class about formulas or cookie-cutter methods of writing, rather an exploration of the self and how one can translate their obsessions into an essayistic form.